Simulation Theory, Sexbots, and Sweet Potatoes

Long-exposure photo by artist Bruce Bischoff

Since I haven't posted anything in weeks, I thought I'd pop in and add, at the very least, a newsy sort of update.

Speculative literature journal Strange Horizons has published one of my poems, "Heirarch." This one comes from a series of posthuman poems that's been in progress for...well, for a long long time. Maybe it's not a series. Maybe I just like posthuman/Singularity/upload/simulation theory themes enough to keep writing about them.

And on that note, I have two other poems out now, too. The Canadian feminist literary journal S/tick will be publishing "Peeling Sweet Potatoes" and "GirlsGirlsGirls" in their upcoming issue, but both are also available online here. "GirlsGirlsGirls" grew out of the same posthuman roots as "Heirarch." How will our tools feel about us?

The sweet potato poem? Probably not technological at all, or is so only in its reference to a paring knife, that most perfect of manmade augments.

Another of Bruce Bischoff's "Bronson Caves" series

And Now, Space Poems

It's been a fairly poetic week around here and around the studio, and a fairly speculative one as well.

According to the Wiki gods, speculative poetry is poetry that "focuses on fantastic, science fictional, or mythological themes." Although that seems to cover quite a lot of territory, speculative poetry is usually considered a niche endeavor. 

The upside is that it makes it easier to find.

There's an association dedicated to the science fictional type of speculative poetry, and they publish a quarterly journal. Here's the current issue of Star*Line, the journal of the Science Fiction Poetry Association

Scifi poetry represents a dual challenge: it should stand as good poetry in its own right, even next to non-genre work, while also participating in the traditional subject matter of scifi. This excerpt is a good example; it's taken from David Barber's poem "Waving the Starships Goodbye" from the Autumn 2013 issue (Volume 36.)

"One day, the children will want to leave, tired
of our insistence on the weight of things,
like history, wanting space for its own sake...
....They are frozen in time
and it is us the centuries have aged so much.
Or vast ships, mountains really, wormed all through
by the slow generations born to those
who could choose, as emigrants do, their lives.
Everything is fine, except arriving.
What would such small strange folk do with planets?...."

"Cosmic Hive" by Nikalay Gutsu

And this is an excerpt from "The Other Night (Comet Kohoutek)" from Diane Ackerman's notable 1976 collection The Planets: A Cosmic Pastoral:

"Last night, while
cabbage stuffed with
brown sugar, meat and
raisins was baking in the
oven, and my potted holly,
dying leafmeal from red-spider,
basked in its antidote malathion,
I stepped outside to watch Kohoutek
passing its dromedary core through the
eye of a galaxy. But only found a white
blur cat-napping under Venus: gauzy, dis-
solute, and bobtailed as a Manx. 
Pent-up in that endless coliseum of stars,
the moon was fuller than any Protestant
had a right to be. And I said: Moon,
if you’ve got any pull up there, bring me
a sun-grazing comet, its long hair swept
back by the solar wind, in its mouth a dollop
of primordial sputum. A dozing iceberg,
in whose coma ur-elements collide. Bring me
a mojo that’s both relict and reliquary.
Give me a thrill from that petrified seed...."

Another place to find good science fiction and fantasy verse is Strange Horizons, the weekly online spec fiction magazine.

And of course there's often poetry in Asimov's, too, on most newsstands.